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Monday, April 27, 2026

"Junior High" by Jon Horn - 2025 Brooklyn Non-Fiction Prize Finalist

 


 

 

J u n i o r      H i g h

 

  J o n     H o r n

 

  

     Why they gave JHS 240 the official name of Andries Hudde Junior High I’ll never know. Hudde was, I read, a colonial official and big landowner back in NYC’s Dutch days. Maybe he owned the land the school was built on at 2500 Nostrand Avenue. Maybe not. Like who gives a shit, as some of us who passed through the school might or would say, out Flatbush way.

     I qualified for R.A. aka S.P. (Rapid Advance or Special Progress), which meant I’d skip eighth grade and just do seventh and ninth at Hudde before moving on some few blocks down to Midwood High for three years more.

Now it goes from 6th thru 8th grade as Middle School. JHS 240 was situated midway between Midwood and Madison High Schools, and my main Hudde bud, Matty, who lived closer to the Highway than to the Avenue, would go on to Madison when I went to Midwood.

     A big thing Matty and I had in common, as well as snarky smarts, was our desire not to vibe like the dorky achievers who did those three years in two. By ninth grade we tried to style ourselves like the tougher and dumber kids who did all three years, because being older was being cooler and hipper. Smarts? We were smart enough to successfully cut out of school some days, subwaying into the city to roam around The Village or catch a sleazy double feature at one of the many flea-pit movie houses on 42nd Street between Broadway & 8th Avenue. Matty was partial to olive-drab fatigue pants, I favored black chinos,and maybe we had the backs of our shirt collars up, trying for a “rocky” look – though we studiously avoided truly rocky or “hoody” kids, so we wouldn’t have to be challenged or be revealed as ruff tuff creme puffs.

                                                                           

      Back then, if someone, probably an adult, asked you how you were, you said “I’m fine,” you didn’t say “I’m good.” You slept late, you didn’t “sleep in.”

And STDs were still called VD – though I wouldn’t have to think about that subject for another few years.

     Girls wore skirts, tennies, clean blouses. No cleavage or midriff showing, no pink or blue hair, no lip or nostril studs. Boys wore collar shirts, khakis or corduroys – t-shirts and jeans wouldn’t be acceptable in school for another decade and change. No tats on boys or girls. Only sailors or prisoners sported tats. Our folks didn’t know, but we smoked cigarettes, Matty and I – “pot” was as yet unobtainable. Smoking cigarettes made us feel older and hipper, callow shmucks that we were. I remember how nauseated I felt behind my first inhales of a Pall Mall or Marlboro – just like behind my first big tastes of alcohol. I got used to the ciggies, foolish me, but never did appreciate hard liquor, or even beer. Lucky me.

     Seventh grade, I got in with a group in Matty’s neighborhood. We watched the World Series at David H’s house – both his parents worked – and there was uproarious joy when the Dodgers finally won. Me, I wasn’t uproarious, because I wasn’t into baseball. David H, by the way, didn’t make RA/SP, had to do eighth grade, and fell out with those who, next year, were now a year ahead of him.

     1955, 1956. I was into rock and roll, Alan Freed, “Unchained Melody,”  the movie “Picnic” (Kim Novak!), the paperback of “Catcher in the Rye,” and my collection of EC comics (put out of business by the strict new Comics Code): Tales from The Crypt, Shock Suspenstories, Weird Fantasy, and MAD. James Dean died in a car crash. Johnny Ace played Russian Roulette and lost. The ’55 Chevy was a classic car. The USA was on top of the world and NYC was Action Central. And those 2 years at Hudde are now a blur of memory shards, evoked “one more once” (as Count Basie said at the end of his 1955 “April in Paris”) as a kind of religious ritual of remembrance. Calling all synapses!

     I peer through hindsight goggles, lifting the shroud of Time to peep the remains of yesteryear. Not much there, in fact. Had my first date in 7th grade, with a quiet pretty girl whose name I think I remember, but whose face is but a haze. How did I get up the nerve to ask her out, and how did she accept? I cannot see, I cannot say. But I do know that, in general, I wouldn’t show girls I liked that I liked them, because I didn’t know how to approach them in a cool way and didn’t want to feel like a fool trying. Girls were even better at that game: they could really like a boy and make sure the boy never knew, by word or deed, gesture or glance. The details are blowing in the wind, but it was probably a movie date. I do remember Dad dutifully picking us up and driving her home, (annoyingly) coming up with us in the elevator of her apartment house, seeing her right up to the door. So no goodnight kiss. Damn! Maybe that’s why I didn’t ask her out again. The whole deal was too damn awkward and inchoate then. In the event, that nice girl’s family moved at the end of the school year and out of my life.

     We moved that summer too, to Rugby Road, from the apartment to a relative mcmansion now that Dad was a de-facto “producer” on Person to Person. A touching moment I do recall: I, who wasn’t a sickly kid, was out of school for a week with some bug or other, towards the end of seventh grade. And who should show up at our door (3-K, 657 E. 26th St.) but Mr Glantz, our balding, bespectacled middle-aged science teacher. The class had chipped in to buy me a get-well gift, a 45 record, “The Wayward Wind” by Gogi Grant! I didn’t know everyone cared. I was going-going-gone rocknroll, Gogi”s pop hit wasn’t my taste. But I was touched. It wouldn’t happen now, you bet your boots. Just like old Dr. Serri, still making way-cheap house calls well into the 1950s. And he always seemed embarrassed to take your money. Fat chance today! Not saying all was rosy back then, there was a lot of uptight bullshit, including racism, sexism, stupidism (this last one, at least, is still going strong as ever). Some things were better then, others weren’t. Just like some things are better in one country, others better in another. I’m not going there. I’m just looking back.     

     Using music as a mnemonic device, I can hear Rosie Clooney singing “Hey There” and the equally popular flip side “This Ole House” in the fall of ’54, my first term at Hudde. I was still into pop music then. I heard “Sh-Boom” and bought the 45, but it was the cover by the Crew Cuts. I hadn’t discovered Alan Freed just yet, and didn’t know from The Chords. I liked “Mr. Sandman” by The Chordettes. whitebreadish  but sprightly and hooky. Only next spring did rock and roll start to seep in, but it was still Bill Haley’s “Rock Around the Clock.” I dug The Moonglows’ original “Sincerely.” The “mambo craze” (which I wasn’t crazy about) peaked with Perez Prado’s Hit Parade-friendly “Cherry Pink and Apple Blossom White.” It was that summer I tuned in to “the big beat”: “Ain’t That A Shame” by Fats Domino, “Maybelline” by Chuck Berry, “Tutti Frutti” by the big fruit himself, Little Richard. By Labor Day I was subwaying downtown to the Brooklyn Paramount for the rock & roll show, excited to be surrounded by a lot of Brooklyn kids, pink, brown, whatever, all up for rock and roll. Next January (’56) I bought my last 78 record (45s were taking over):“Why Do Fools Fall In Love” by Frankie Lymon & The Teenagers. Sounds purely puerile now, but then it was the flag-waver for teen-toned r & r. Frankie was 13. I was 13. Sad note: he OD’d and died a has-been at 25, when I published Bondage Trash with M. Girodias. Different strokes for different folks indeed.

 I was into Elvis just then, as he was breaking out with “Heartbreak Hotel.” My dad, with an in at CBS, got me tickets to Tommy Dorsey’s TV show. I was all the way in the back of a packed theater and could hardly see Elvis, but the vibe was there. Outside, on the line waiting to get in, an older dude in front of me showed a girl how he burnt his hands with cigarettes, making patterns.

Elvis was the phenom of the hour (as Swoonatra a dozen years earlier, and The Beatles 8 years later). Rock and roll surged. And I was there. Listening to Dr. Jive now every day “from 3:05 to 5:03,” the down sounds from uptown after school, as well as Freed’s Rock & Roll Party in the evening. I remember the music more than the real life moments of those years. The nerdy kids from Doctor’s Row I’d hung with in 6th grade were jettisoned for new kids from off the block, the ones who wanted to act cool. 

     I was failing Math, but a real nice teacher, Mrs. L, knew I was an underachiever and wanted to pass me, so she had me over to her house – her somewhat older sons were courteous, and I felt at ease – and encouraged me, since I liked to draw and write, to create a little (stapled, mimeographed) 4-page math magazine,

“It Figures,” with number puzzles I either invented or copied from somewhere.

I shouldn’t even have to mention that Mrs. L was Jewish, but now, when the Zionists occupying Palestine are revealed as ethno-centrically evil as their erstwhile persecutors the Nazis, ever trying to conflate anti-Zionism with anti-semitism, I am here to tell you I cherish the memory of the many, o so many intelligent, compassionate, sensitive, leftish Jewish folks whose Flatbush culture I imbibed almost as my own, despite my goyishe kopf. Of course I only remember the “good” teachers, who went beyond the call of duty (like Mr. Gendler at Midwood, whose passion put Beowulf over to a class full of kids who couldn’t care less, and who invited some of us over to his house a few blocks away to eat pizza with his kids). These are the teachers you don’t forget, Jews I’ll never forget. So while I’m horrified at Israel’s bombing, starving, and trying to exterminate the Palestinians they view as “human animals,” I must note that the most forcefully eloquent of Israel’s critics are Jewish: Max Blumenthal, Aaron Mate, Miko Peled, Ilan Pappe, Gideon Levy, and Brooklyn’s own Norman Finkelstein. The settler-colonial Zionists are creating anti-semitism by their attempts at their own “final solution.” This is beyond sad. But let me hike myself back to Junior High…

     70 freaking years ago! No wonder it all seems a misty muddle in my par-blown mind, “through a glass darkly” if you will, and even if you won’t.  Sometimes, in ninth grade, I’d take the long walk home through the tree-lined streets with their laid back homes. Sometimes Matty and I would sulk and posture in a corner of the Hudde playground: while jocks played sports and social kids mingled, we hatched plans to “cut out” one more once, and tried to retain our cool, caj fronts above all. Can’t recall all the girls I was crushing on. Do remember walking the Highway, going to the Avalon or Kingsway to see some “feature presentation,” or the Kings and the Kenmore on and off the Avenue. “The High and the Mighty.” “On The Waterfront.” “Rebel Without A Cause.” “Blackboard Jungle,.” “Love Me Tender.” “The Girl Can’t Help It.”

     I wrack my time-boggled brain to recall more of those formative years, the days of my early youth, but these few notes are all I can produce. Ninth grade came and went. Summer brought Matty and me and some other little jagoffs to Brighton Beach, and in particular Brighton Private, a fenced off area of the beach with cabins, games, a pool. It was exclusive, so we wanted in. They stamped the wrists of entrants so you could go out and come back. We got some kid coming out to press his wrist to our own, after we licked our flesh, and if you did it right, the stamp transferred good enough to get you in. There was also a hole in the bottom of the fence for a while where you could wriggle through. Not that there was anything much we wanted to do inside Brighton Private. It was just the challenge of getting in. I can’t recall if I somehow met va-va-voomish Harriet and her homely sidekick whose name I forget in there, but I associate the place with them. Harriet was “stacked way back” for 13 or 14, and had an attitude to go with it. Her friend was like the handmaiden to the star, drab and dowdy next to sexy Harriet, whose long hair was constantly tossed back over a soft shoulder as she styled in short shorts and halter top, both almost too well-filled. Harriet was a little friendly, a little flirtatious, but not too. Her sidekick got me aside and said “She likes you but she doesn’t want to get involved with you.” Thanks. They vanished in summer and smoke.

     The Platters’ “My Prayer,” “Fever” by Little Willie John, Clyde McPhatter’s “Treasure of Love,” and The Jayhawks’ “Stranded in the Jungle,” they were big on the soundtrack of that season before High, just after Junior High.

     Hey: I tried to use the music as a memory goad but it only made me remember more music. And all I’ve left to say is a lame old Brooklyn disclaimer: “You hadda be there, folks.”

 

 

 

 

 


                                                                          

                                                                 

                                                                     

 

 

 

 

 

 

 

"My Fourth Birthday" by Diane Morelli - 2025 Brooklyn Non-Fiction Prize Finalist

 

 My Fourth Birthday

by

Diane Morelli 

 

A snowstorm that varied in intensity. An Ebinger’s Blackout Cake decorated with pink hard candy roses. Two things this girl, born in Brooklyn, NY, in the 1960s, got on her birthday. Every year.

My fourth birthday, one of my earliest memories. A recap of that day plays on my mind. Every year. On my birthday, when I awaken. Head sunk into the pillow, eyes still closed. The experience of long ago, vivid as ever, and just as unsettling as it was when I was four.

I lived with my parents and older brother in a second-story apartment above a butcher shop on Avenue J. The building was attached on two sides. Even with the Venetian blinds open and the sheer, white curtain panels pulled back, almost no sunshine came through.

That February morning, I stretched out on the living room floor. Scruffy beige carpeting scratched my wrist as I rubbed a green crayon across a forest scene in my coloring book. Humming a birthday ditty to cut the silence. Squinting to tell blue and black Crayolas apart in the pale, gray daylight.

My brother slipped into the room. He was six. For the most part, he obeyed Mom and Dad when they warned him to be nice to me. They drilled it into him to never hit me because he was a boy, I was a girl and he could really hurt me. He kicked my artwork out from under me, said, “Look out the window!”

We raced to get there. It was as bleak and shadowy outside as it was inside. The screens were coated in ice and rattled from the high winds. The snow fell fast. Huge flakes hung together, like paper doll angels dancing hand in hand.

My mother walked up behind us. We turned. She was wearing a rain hat, scarf, gloves, long coat and rubber boots. My brother and I were still in our pajamas. He said, “Don’t build a snowman without us. We can get dressed quick. Be downstairs in a minute, Ma.”

“You two aren’t going anywhere today.”

“It’s my birthday and I get to do what I want and I want to play in the snow,” I blurted out in one breath.

“You can’t go outside. We’re having a blizzard. It’s freezing and wet. The snow’s too deep to walk through.”

My brother was curious, asked Mom, “Where are YOU going without us?”

I felt swirling and wriggling deep in my stomach. The only time Mom left us at home was when my father or her sister babysat. Dad was at work in the city now and my aunt was in her own house, nearby, on East 42nd Street.

Mom talked to my brother as if I were no longer in the room. My ears swooshed like they did when I had a stuffy nose and refused to blow it. My mother’s voice was muffled, sounding like it came from far away. “I’m going to Ebinger’s. To pick up Diane’s birthday cake. Sit with her at the window. Don’t move from that spot. Don’t let her go anywhere either. Do not pick up the telephone phone if it rings. And do not answer the doorbell.” She placed two chairs by the window. Out she went.

The two of us sat side by side. Staring downwards, in the direction our mother walked to run her errand. For a change, my brother was quiet. No teasing. No hair pulling. Speechless.

Like me, he may have been too scared to talk. Or too busy thinking. What would happen if Mom left with no intention of coming back? I was afraid of that. I pretended it was nighttime. Pictured myself opening presents and playing with new toys. Daydreaming pushed all frightening thoughts out of my head.

While I indulged in happy musing, my brother misbehaved by getting out of his chair. Once standing, he pressed his hands against the pane. Starting at eye level, he slid them up the glass until they were well above his head. Before he plopped back into his seat, he placed his cold, drenched hands on my flushed cheeks.

A chill shot through me, destroying my sense of peace.

My brother finally spoke. “You know. Today isn’t your real birthday. No one knows the actual day you were born. Could have been in the winter. Could have been in the summer. It was some time after you were left on our doorstep. That’s how we got you. And that’s why I’m sure you’re not part of this family.”

“You’re stupid,” I said.

“I may be stupid. At least I’m not adopted.”

“I’m not adopted.”

“Of course you are. You know how I know you’re adopted? I was the one who found you outside curled up in a basket. I made Mommy close her magazine to take a good look at you. I begged her to bring you inside and keep you, even though you were ugly.”

“I wasn’t ugly. Mommy and Daddy said I’ve always been a beautiful girl.”

“A girl? A girl?” he laughed. “Is that what you think you are? That’s something that definitely is not true.”

“Yes, it is.”

“No, it isn’t.”

“If I’m not a girl, what am I?”

He paused. Moved closer toward me. “Mommy told me I’m not supposed to tell you. Now that you’re four, you’re old enough to know.”

“Know what?”

“The truth,” he said.

“What’s the truth?”

“The day I found you on the doorstep, you were not a beautiful girl. You were a cat. A dirty, hairy alley cat. You looked nasty and smelled bad. I asked Mommy if we could keep you. She said no. Daddy coughs and sneezes from animal hair, so we shaved and bathed you. We taught you how to walk on two feet and dressed you like a little girl. Mom and Dad said you can stay in our family as long as your fur doesn’t grow back.”

 

My fourth birthday. The blizzard, the chocolate cake. Standard fare. Mom leaving us at home with no supervision? That was a first. Fear overtook me. And disappeared once she emerged from her mile-long trudge, soggy Ebinger’s box in hand. Questioning whether I’m a natural born member of my family? That worry started with my brother’s taunting. And remains with me to this very day. A lost thought that finds its way back to me. Every year.

 

 

 

 

 

"575 Lorimer Street" by John McMahon - 2025 Brooklyn Non-Fiction Prize Runner-Up

 

                                                                                       575 Lorimer Street

                                                                                                    by 

                                                                                         John McMahon

 

Most of north Brooklyn was a mix of row houses and warehouses. Pinched between the East River and Newtown Creek, the area had always been industrial. For decades factories had freely dumped their chemical waste into the waterways so that the whole area is essentially a super fund site. Still movies and TV shows have used the jumbled skyline of Williamsburg and the menacing factory alleys of Greenpoint to create that unmistakable New York feel for decades.

It was during the first phase of nineties gentrification—avant-gentrification. Most of the neighborhood landmarks were still intact. John’s Italian Deli was still John’s. The Falcon was still showing movies. Kellogg’s was still a greasy spoon, and if you wanted a drink at the Sweetwater, you still had to negotiate the greasy coating along Fourth Street from the slaughterhouses.

I lived at 575 Lorimer Street, right on the line where Greenpoint was still Polish and Williamsburg was still Italian. The L CafĂ© had just appeared on Bedford ave., and Oznot’s opened among the little brick houses along Berry Street. Ocularis was showing films against abandoned factory walls on the riverfront, and there were raves at the noodle factory.

At the same time there were still cheap Polish working mens diners where you could order a huge carb laden plate of food for four dollars. Some of the last little mom and pops were still holding on with wooden fruit and veg bins in the front and mostly empty shelves inside, not able to keep up with the foreigners who were opening twenty four hour bodegas jam packed with every item and service imaginable

My building was one of those old clapboard two-families split into six apartments. The neighborhood’s remnants were mostly aging second and third generation Italians like my upstairs neighbors, Judy and Sal. They had lived in the building since they were married at the church around the corner decades earlier. Sal was a bantam weight, a postman who walked a local route until he was forced to retire in his seventies, but continued to walk it for years afterward just to keep his eye on things..

Judy on the other hand had the typical physique of an Italian grandmother, twice Sal's weight and was forever in a house dress, with a kerchief over her hair. She spent much of her adult life sitting at an open window, leaning on a pillow with a cigarette in her mouth, righting the wrongs of the neighborhood with the other housewives between fixing meals. She and Sal had raised two girls in that cramped apartment, both were grown and rarely came around when I was living there.

 Judy never came downstairs if she could help it, communicating between floors with a well practiced yell. Sal seemed to be always standing around the vestibule, waiting for the mail, which he would sort out for the six apartments and deliver to our doors, hoping to catch someone in conversation.

Then I stopped seeing Sal around. The mail didn’t get sorted, and no one was monitoring the slamming of the street door, which drove Judy crazy. She’d yell down, “Stop slamming that goddamn door!” Judy had the mouth of a longshoreman.

Sal was down—seriously ill, bedridden. Judy started to ask me for small favors now that they were both shut-ins. She needed things from the shops: there were envelopes to mail, food for the cats, medicine for Sal, cartons of cigarettes for herself. She smoked like a diesel in the apartment despite Sal’s illness.

On a cool autumn morning, Judy asked if I could get my barber to come up and cut Sal’s hair. “He always had pride in his uniform and his hair,” she said. It was a tough ask, but the shop wasn’t far.

Model Barbers had occupied the corner of Metropolitan and Union for over sixty years. A two-chair operation with an ancient flecked mirror running nearly the length of one wall. Everything in the place was old—the waiting chairs, the stand-alone ashtrays, the jumble of Sports Illustrated and Playboy magazines decades out of date. The men who sat in the corner playing cards and smoking were ancient themselves.

I was on friendly terms with my barber since I passed the shop twice a day between home and work, always exchanging a nod or a quick chat if he was lounging in the doorway. Sam—short for Samair—was from Syria, another early gentrifier. He’d done it right though, working the second chair for a few years before buying the shop outright, earning the locals’ respect and their last years of business.

Sam greeted me, then his face sank as I made the request. He told me I had come at him “like the grandfather with the pumpkin,” apparently a Syrian folktale. We struck a deal: I’d redo his doors—thick with generations of paint—if he came to take care of Sal. He packed a bag with his shaving kit, scissors, and combs, glaring at me and muttering curses in Syrian under his breath.

Sal and Judy’s apartment was the mirror image of mine before I renovated. The worn vinyl flooring and low arches between rooms made the place feel closed-in, muggy, shut against the cold autumn wind. I wouldn’t have called it a mess but neither was it neat and It smelled distinctly of old age and death.

Judy was at the kitchen table smoking when we arrived. Sal lay motionless in the double bed in the back room they must have shared for fifty years, under a heap of blankets. His eyes were shut. His face was wan. He was absolutely still—his skin like a skein of chalk.

Sam announced through clenched teeth, “This man is dead,” and walked straight out of the apartment without another word. Judy barely looked up from the mound of cigarettes in her ashtray, pretending not to hear. I told her he had passed.

 “Well,” she said, “maybe you could just clean him up a little?”
 

Not that Judy was indifferent—just in denial.

I told her we shouldn’t touch him and had to call 911. Still, she talked me into carrying him downstairs, wrapped in a blanket. She didn’t want to be in the room with a corpse. He was simply bones under the blanket, and I felt none of Sal’s energy in the body—it was just a husk.

After the mourning period my wife and I took Judy to dinner—not at The Diner, or Planeat Thai, or any of the new cool places, but at a neighborhood legend called Bamonte’s on Frost St, a place Judy thought of as real fancy. A place frozen in time when big men still held parking spots for Cadillacs and every half-celebrity who’d ever eaten there was memorialized in the tiny front bar. It was old-school Italian American, family-style. The dining room was all red velvet and gold brocade.

She told stories of the neighborhood past, greeting old acquaintances with loving kisses—then tearing them down as soon as they were out of earshot, dishing dirt that went back thirty years in language that had my wife in hysterics. Judy may have been the only person I ever met who spoke with that Bugs Bunny Brooklyn accent

It wasn’t long after Sal died that I woke to shouting outside my window. My internal clock was off—we’d just returned from working in France for three months.
 

What the hell are these goombahs yelling about now? I thought, stumbling from bed to the window. But it wasn’t just the usual ballbreakers and hangers on who stood in front of Junior’s bar and pizzeria night and day—it was the whole street.

“A fucking plane hit the Trade Center,” someone shouted as I stepped outside. I followed the crowd to the end of the block, thinking it must have been some mad pilot in a Cessna. From the corner of Lorimer and Metropolitan, downtown Manhattan was plainly visible. A plume of thick black smoke was already pouring into the otherwise perfect blue of what promised to be a beautiful September day.

By the time I’d dragged my TV out of the closet and woke my wife, the second plane had hit. We knew then it wasn’t an accident. It was something much bigger, something that was going to change everything though we didn’t yet realize how personal those changes would be.

After calling family, workmates, a couple of friends, my wife and I joined the procession moving—almost in a trance—toward Grand Street Park. The park sat on the East River, offering a clear view of the city.

What a lot of humanity we were: Poles from the few remaining factories, Italians from my neighborhood, Puerto Ricans en masse from the South Side, and a smattering of us gentrifiers of every color and kind, behind a wall of black-hatted Hasids in their tattered gabardine suits. All of us one in awe of the spectacle before us.

We stayed there for an hour, maybe more. What else could we do but stand and bear witness? Jess wanted to go home, to bed—whether from jet lag or comfort-seeking, I couldn’t tell. As we walked back to the apartment, I asked if she wanted me to come. She didn’t, or didn’t say. Instead I went for a bike ride in Prospect Park. Doing laps for hours and I wasn’t the only one and I wondered if we were all there for the same reason, putting off the future.

It wasn’t long after the Trade Center fell that my wife returned to her life in Australia. She’d had enough of New York—and enough of me—and so she was no longer my wife. She left a note telling me all this on the counter I’d built for her. Only half of it was true.

Months later, I was in Malaysia when friends from Williamsburg emailed to say something was going on at my apartment. I’d never met the owner; he’d been in federal prison for racketeering for all the years I lived in the building, and dealt only with his son. The family was in the trash-carting and concrete business.

The old man got out, saw the gentrification boom, and illegally kicked everyone out of the building—no notice, no process. In my absence, they simply broke down my door and threw my belongings out.

We tenants made a weak attempt to fight the eviction in Brooklyn Housing Court but were basically laughed out of the building. We had court-appointed legal aid when what we needed was the kind of law firm none of us could afford. The local precinct had no interest in what was happening when they heard the family name.

I was told one of Judy’s daughters had taken her away before the illegal evictions. She couldn’t take care of herself anymore, and I would guess Sal’s pension came into play. Judy and Sal had been in that building since 1964, the good old days she would always say, before the BQE split the neighborhood up. “Sally was too damn cheap to get us out of here when he could’ve” she had told me in confidence after he had passed. In the end she got out and so did I, just when everyone else was trying to get in.